Lackingthe overall freshness that defined the previous movie, "Thor: Love and Thunder" is better with its bolder, dramatic sequences that are like mini movies about how love comes with the price of loss. Gorr is introduced in a harrowing piece of bubble gum Ingmar Bergman, cradling his dead child and renouncing his god before killing him

With the new bearer of Mjolnir finally in play, it's high time to see what she can do. Thor's bold new era continues here in issue 2, writer Jason Aaron giving the newest Goddess of Thunder a crash course in hammer swinging and lighting calls. The resulting read is an entertaining and lively affair, further bolstered by the sheer giddiness emanating from Aaron's mysterious lead. While answers to her identity prove tough to come by, she nevertheless leaves a hammer sized impression on the Marvel Universe at up right where he left off, Aaron immediately dives into the mind of his newly-worthy warrior, literally. Unlike Thor's puffed out sense of assuredness, this new Thor has absolutely no idea how she came to possess his hammer or why, her inner musings laced with confusion and no small amount of elation. Luckily for her, Mjolnir has read the Thor-swap Cliff Notes, the magic hammer speaking through its new vessel with helpful tips and appropriately Thor-ish verbiage. This two-toned way of speaking goes a long way in communicating the vast difference between the veteran Avenger and newly minted rookie, though she quickly proves more than up to her legendary the ground, the frosty events of last issue continue to escalate in various ways, Aaron building off of the teasers left behind in Thor God of Thunder 25. It's refreshing to see so much of what came before tie into what's happening now, as the new Thor's presence in the proceedings feels just that, new. Issue 2 serves as an introduction of sorts for both the reader and the character herself, as the breadth of her newfound abilities is put to the test in a number of appropriately heroic ways. Aaron cleverly acknowledges the vitriol that came with the new Thor's announcement, her interaction with the Frost Giants giving way to dismissive taunts. In just a few pages Aaron proves that she's not only worthy to carry the hammer, but to carry the title, her impressive power set and boisterous personality making for an effective and engaging Dauterman is again on hand to render the book’s various exploits, his pencils clean and meticulously constructed. There’s a lot going on this issue both in terms of action and plot progression, and Dauterman deftly handles all of the various twists and turns Aaron throws at him. The artist’s vibrant style is a definite departure from the more subdued look we’ve come to expect but, much like the heroine he depicts, his take is refreshingly different. He finds a lot of avenues in which to be creative, making particularly great use of Mjolnir’s ever careening flight path. Best of all, he makes you believe that this new character can break faces and smash foes with the best of them, his Thor every bit the warrior as her golden locks may be slightly more luxurious these days, but otherwise all is well in Asgard and beyond. Those worried that a change in gender would mean a change in quality have nothing to fear, as Aaron and Dauterman prove more than equipped to deliver the same exceptional storytelling we’ve come to expect. Issue 2 leaves plenty of room for growth both in character development and plot, but with a mighty swing of the hammer, Thor is back in Goddess of Thunder's first real action is a success as Jason Aaron captures the dichotomy between the wizened god and the newbie hammer-holder. Issue 2 is jam packed with the same clever dialogue and awesome action that's marked Aaron's run so far, and if this issue is any indication he shows no sign of slowing down. [poilib element="accentDivider"] Jeff is a writer for IGN. He can make the Kessel run in less than 12 parsecs, probably. Follow him on Twitter and IGN. In This ArticleThor 2 ReviewgreatThe character may have switched bathrooms, but this is still the same Thor we know and love. Jeff Lake
Filmini termasuk film yang terlaris pada tahun 2013 dan mendapatkan keuntungan lebih dari $644.000.000. Jarak antara film Thor 2 ke 3 cukup lama, yaitu 4 tahun. Thor: Ragnarok (film ke-3 Thor) rilis pada November 2017. Anyway, film Thor 2 ini cukup menghibur menurut saya, karena walau judulnya The Dark World, film ini tidak terlalu 'gelap'.
TRAILER 215 TRAILER 129 CLIP 858 CLIP 100 Play all videos What to know In some ways, Thor Love and Thunder feels like Ragnarok redux - but overall, it offers enough fast-paced fun to make this a worthy addition to the MCU. Read critic reviews Even though Thor Love and Thunder's constant silliness makes it hard to invest in the more serious sides of the story, there's still plenty here to enjoy. Read audience reviews Rent/buy Rent/buy Subscription Rent/buy Thor Love and Thunder videos Rotten Tomatoes is Wrong About… The Thor Franchise 5151 Thor Love and Thunder Exclusive Featurette - Gorr the God Butcher FEATURETTE 200 Thor Love and Thunder Extended Preview CLIP 858 Is Thor Love and Thunder The Dawn of MCU Fatigue? 5107 Thor Love and Thunder TV Spot - Journey TV SPOT 108 The 'Thor Love and Thunder' Cast on Bromances, Goats, and the Joy of Dancing 2813 Thor Love and Thunder Exclusive Featurette - A Taika Waititi Adventure FEATURETTE 157 Thor Love and Thunder TV Spot - Classic TV SPOT 029 Thor Love and Thunder Movie Clip - This Ends Here and Now CLIP 100 Thor Love and Thunder Movie Clip - Mjolnir CLIP 051 Thor Love and Thunder Featurette - Legacy of Thor FEATURETTE 156 Thor Love and Thunder Movie Clip - The One That Got Away CLIP 043 Thor Love and Thunder Movie Clip - Let’s Bring the Rainbow CLIP 039 Thor Love and Thunder Spot - Team TV SPOT 120 Thor Love and Thunder Featurette - When Love Meets Thunder FEATURETTE 146 Thor Love and Thunder TV Spot - Speech TV SPOT 100 Thor Love and Thunder TV Spot - Popcorn TV SPOT 030 Thor Love and Thunder TV Spot - Holiday TV SPOT 030 Thor Love and Thunder Trailer 1 TRAILER 215 Everything We Know About Thor Love and Thunder 2129 Thor Love and Thunder Photos Movie Info "Thor Love and Thunder" finds Thor Chris Hemsworth on a journey unlike anything he's ever faced - a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher Christian Bale, who seeks the extinction of the gods. To combat the threat, Thor enlists the help of King Valkyrie Tessa Thompson, Korg Taika Waititi and ex-girlfriend Jane Foster Natalie Portman, who - to Thor's surprise - inexplicably wields his magical hammer, Mjolnir, as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher's vengeance and stop him before it's too late. Rating PG-13 Intense Sci-Fi ViolenceActionLanguagePartial NuditySome Suggestive Material Genre Action, Adventure, Fantasy, Comedy Original Language English Director Taika Waititi Producer Kevin Feige Writer Taika Waititi, Jennifer Kaytin Robinson Release Date Theaters Jul 8, 2022 wide Release Date Streaming Sep 8, 2022 Box Office Gross USA $ Runtime 2h 5m Distributor Walt Disney Pictures Production Co Marvel Studios, Walt Disney Pictures, Fox Studios Australia Sound Mix Dolby Atmos, Dolby Digital Aspect Ratio Scope View the collection Marvel Cinematic Universe Cast & Crew News & Interviews for Thor Love and Thunder Critic Reviews for Thor Love and Thunder Audience Reviews for Thor Love and Thunder Jul 15, 2022 It was fun to watch. Consistent with other MCU offerings. If you liked the other Thor movies, you will probably like this. Portman has some outstanding moments. Crowe was a delightful surprise. Super Reviewer Jul 11, 2022 Thor Love and Thunder reminds me a lot of Guardians of the Galaxy vol. 2, admittedly a film I've come more around on since my initial viewing in 2017. When Ragnarok was released later that same year, it was an irreverent blast, a breath of fresh air for a franchise that didn't really know what to do with its hero, and under director Taika Waititi's sensibility, the character had new, witty life. A similar response occurred with the original Guardians of the Galaxy as the world fell in love with the offbeat characters and storytelling and style from writer/director James Gunn. Before 2014, we didn't know what to expect with a Guardians movie. When the sequel was released, we had a template of expectations, and the follow-up didn't feel quite so fresh, quite so lively, and falling back on repeating too many of the same moments or jokes because it's what was expected. It felt a bit burdened with the creative shackles of upholding these expectations. The same feeling of same-ness permeates Love and Thunder, and to be fair that's also because the success of Ragnarok raised our expectations for a Waititi MCU movie. Thor Chris Hemsworth is trying to find his way after the events of 2019's Endgame. He's gotten in shape, spent some time palling around with the Guardians of the Galaxy returning in 2023!, and reconnected with the love of his life, Jane Foster Natalie Portman. She's been chosen by Thor's old broken hammer to be its new wielder, granting her superhero status. Except in her human status, she's dying from stage four cancer. Just as Jane comes back into his life, Thor might have to come to terms with losing her all over again. This movie just doesn't feel like it has the same natural prankish energy of Ragnarok, though part of this again might be myself acclimating to Waititi as a filmmaker and storyteller. Prior to Ragnarok I had only known him for the delightful vampire mockumentary What We Do in the Shadows, and since Ragnarok Waititi has become his own industry, winning a screenwriting Oscar, lending his name and acting to hit TV shows, including a version of What We Do in the Shadows, and even Disney wants his mark on Star Wars. In short, the man is everywhere. In 2022, we now have a much better idea of what to expect from a typical Waititi project. Love and Thunder is recognizable to the man's omnipresent brand, and still a fun movie with some solid gags, but it also feels a bit sloppy and repetitive. I kept thinking about all the powerful dramatic potential in the different storylines that are barely explored because the driving plot is a universe-hopping caper to save a bunch of kidnapped children yes, the children represent something, the next generation, renewal, legacy, but let's carry on. Tackle the pathos of Jane Foster, who in her normal human state has her body betraying her. She feels weak and incapable of the greatness she feels burdened to still accomplish with her declining time. With the power of Thor, she becomes a superhero, and with super swole arms. However, this power trip also has its own ironic downside. Every time she powers up, the magic hammer is actually draining more of her life force, meaning she's actually speeding up her terminal illness. Here is a character given a dire situation and an escape and yet that escape only worsens the illness. There's such powerful drama there to explore as she comes to terms with how to spend her final moments, among them reconnecting with her super ex-boyfriend. This could have sufficed as the entire movie and told from her perspective. Then there's Gorr the God Butcher, gloriously played by Christian Bale like he's in a James Wan horror movie. Here is another example where the villain doesn't just have a sympathetic back-story but where they are correct in their aims, though maybe not in their methods think Killmonger arguing Wakanda should do more. Gorr is tired of the gods crushing the little guy with their general entitlement, indifference, and selfishness. These fancy deities aren't worthy of worship. The power structure needs upending. It's easy to get behind Gorr's plight and see connections to our own imbalanced world. This too could have sufficed as the entire movie and told from his perspective. Now, things could have gotten even more interesting and complicated for Jane, because she's not officially a god unless she's yielding Thor's hammer and joins those rarefied ranks. It would pose another question of whether wielding this power would be worth her remaining time, especially with a heat-seeking missile coming for her on a righteous quest of vengeance that is slowly eating him alive. Both are dying but can they fulfill their goals? If these storylines had been given careful development and the necessary time to breathe, Love and Thunder could have been one of the most interesting movies in the ever-expanding MCU cannon. Instead, it's galloping to work so hard to stick to the Waititi brand expectations, to reignite our feelings of Ragnarok, and so these promising elements ultimately get shortchanged by hit-or-miss comedy bits. I liked several of them even despite myself. The set piece where Thor and Jane and friends travel to Omnipotence City has such imaginative heights. Russell Crowe is having a grand time as a hilarious Greek caricature of Zeus that is more concerned about the upcoming company orgy and brushing feta crumbles from his beard. I loved the almost Lego Movie-esque zany sight gags of the cohabitation of gods from different religions Korg's god sits on an iron throne of scissors, its own visual joke. It's such a fascinating concept that I wish we could have spent even more time here. Let's see the Egyptian gods mingling with the Sumerian gods while pranking some weird alien deity. The set piece serves two narrative purposes gathering a powerful magic weapon, and learning the gods are sitting out the battle with Gorr for their own short-sighted self-preservation. It's mostly a pit stop. Again, there was more pathos that could have been explored here as people meet gods, but this is my cross to bear. The general banter is amusing and has more hits than misses even if the hit percentage is lower. I laughed every time the magic axe would silently pop onscreen in jealous judgement. I even enjoyed the screaming goats even though from their first moment they are the exact same joke. Regardless, whenever Thor and company would travel to a new place and I heard that familiar goat scream, it would make me giggle despite my reservations. I also had my qualms with the concept of Eternity, a magical place located at the center of the universe but destined to grant a wish to whomever gets there first. It's too transparent as a plot device and its very existence this far into the MCU creates too many nagging questions. In the history of the universe, no other creature successfully reached this wish-granting locale? And if this existed at least to Thor's understanding, then why didn't the characters think about this as an option to thwart Thanos and his universe-halving finger snap? I know the answer, because it wasn't written into a movie until now, but this is the drawback of throwing ultimate power plot devices without more careful context. Eternity could have been a secret just to the inner circle of the famous gods, unknown to all but a few, but even that strains some credulity. If Zeus is such a carousing hedonist of legendary status, I'm sure he would have either blabber-mouthed its existence or sought it ought for his own gain. I genuinely liked the set piece at Eternity, a small planet that sucks all color from existence, making the imagery even more striking like the inky panels of a comic. The same question happens when Thor shares his power late in the movie. Couldn't the Avengers have used this too? I fully acknowledge that my criticisms are butting against the movie Waititi wanted to tell. I'm pushing for its inherent dramatic potential while it wants to be a more comic and romantic adventure about the power of love. I think by the end it gets there, and the dramatic confrontations have some emotional weight to them, especially about the idea of what we leave behind for others after we're gone. Although, even this is mitigated by the general stakes-lowering reality that death never seems so permanent in the world of comics and monetarily useful IP. It's a joke how many times Loki has been brought back from the dead and Thor doesn't even know that his trickster brother has been brought back from the dead again again again. We've now established time travel and an emphasis on the multiverse of alternate universes, which means at a moment's notice, any meaningful death or sacrifice has the possibility of being undone. This is also the reality of a moneymaking machine that has dominated the movies and pop-culture landscape for 14 years. No death is ever going to be for real in this environment so why should I put so much emphasis on the dramatic potential of what losing a loved one, or your sense of self, can have? I can sit back and enjoy the lesser, but still enjoyable, Waititi quirk on display for two hours of silly. Hemsworth Spiderhead is so sharply skilled at comedy that I feign to remember his previous existence as a dramatic actor. He's still on the same sublime, charismatic yet blithely self-effacing vibe he was with Ragnarok. Portman Annihilation comes back after close to a decade for a clear reason to leave her mark on what had been an otherwise forgettable character and giving her a renewed sense of power and direction and agency. Bale Ford v. Ferrari, as mentioned, is fantastic. I appreciate that his character isn't physically huge and bulky. He looks quite the opposite, like he's wasting away, like somebody slathered an ashy coat of paint from living-skeleton Bale after The Machinist yes, also the obvious Voldermort comparison. He is relishing every teeth-stained syllable as a nightmare creature living from the shadows. The prologue with his character is heartbreaking and yet understated and truth be told, having young children in my household, it hit me more personally, and I turned to my fiancé and said, "I'm supposed to not like this guy?" I wish the opening credits were then a montage of Gorr seeking and slaying wicked gods. Bale is playing his role like he's definitely not in a Waititi movie about goofy screaming goats; he's playing Gorr like a tragic hero of myth. This is why I would have been happy had the whole movie been told from his perspective. The new characters from Ragnarok suffer the most and become sidelined as "Others Along on the Quest." For Korg, this is fine, but for Tessa Thompson's Valkyrie, I mourn her absence. Also, both characters are definitively queer now, though Korg might be more a question, making Love and Thunder the gayest movie in the MCU, and just after Pride Month, so take that for what you will, folks. As a fun matinee, Love and Thunder will amuse and brighten, even if its comedy highs don't quite hit as high this time under the burden of franchise expectations. Love and Thunder is a movie that will be best known for Portman and Bale, both of whom elevate the scattershot material with their dedication and professionalism. It might even be known for Crowe's hammy scene-stealing, or the super-powered cadre of cute kiddos, or even the screaming goats. It's a movie more of moments and ideas, too many underdeveloped or lacking the gravitas they deserve, especially concerning Jane and Gorr. I feel like a grump bemoaning that the big superhero movie should have more time spent on a woman contemplating her own existential demise as well as man's relationship and fealty to our gods. Still, it's Waititi doing his signature brand of quirk with $200 million of house money from Disney. Thor Love and Thunder is a lesson in diminished returns but when you have Ragnarok as your starting point, it's at least guaranteed to still be worth your two hours once and deliver some chuckles and smiles. Nate's Grade B- Jul 11, 2022 It is watchable and has enjoyable moments to be sure but lacks the narrative consistency of Waititi's last Thor movie as silly as Ragnarok was, it at least had clear character growth and a fresh new take and it often feels like they are grasping to find a reason for this fourth Thor entry to exist. Super Reviewer Jul 09, 2022 Being a huge fan of the Marvel Cinematic Universe, I must say that the first two instalments of the Thor franchise haven't been anywhere near my favourites. When Taiki Waititi was brought in to direct Thor Ragnarok, he injected some much-needed life. Since then, Thor has been a much more enjoyable character to follow and I now look forward to seeing him every time. Hearing that Waititi would once again be back for the fourth film excited me a great deal, but I also knew it would be a very hard task to top the third film. Thor Ragnarok is one of my favourite Marvel films, and while there are more than a few moments in Thor Love and Thunder that harken back to what made Ragnarok great, it's not quite on the same level for me. Still, Thor Love and Thunder is a genuine blast at the movies and here's why I recommend checking it out. Picking up after the events of Avengers Endgame, while still being a sequel to the Thor films, the premise here is that Gorr Christian Bale who now wields a sword known as the "Necrosword", has a mission to murder every God in existence. After having killed many already, Thor Chris Hemsworth is next in line. With the addition of a very well-done story that brings back Jane Foster Natalie Portman, this film has a lot going for it. The villain storyline and Jane's storyline are both serious elements of the film, but otherwise, this is just a straight-up comedy, through and through. I liked the tonal shifts throughout the film because Taiki Waititi knows how to tread that line, even though a few moments tread a little too closely. If you were a fan of the silliness in Thor Ragnarok, you'd probably love watching this film, but I will say that Thor Love and Thunder dials it up to a hundred here. From giant screaming goats to a love triangle between his axe Stormbreaker and his "ex-hammer" Mjolnir, I was laughing throughout. This will absolutely be a deterrent for some viewers though. Marvel is known to have a lot of comedy sprinkled throughout their films, but this one probably takes the cake for the amount of humour. The humour landed for me about 90% of the time though, so I had an absolute blast. Christian Bale is a fantastic addition here and is completely committed to this role, even though I wish he had a little more screen time. Where his storyline goes by the end may also leave viewers dissatisfied, but I kind of love how it concluded and I can't wait to see where those last few story beats lead. On top of that, I will say that Natalie Portman brings her A-Game here. I wasn't a huge fan of her in the first two Thor films, but her reason for being in this film was easily the best aspect of the movie for me. Again, like Gorr, I just wish a little more time was dedicated to her storyline. This is a film that clocks in at under two hours, but I believe an added 20 minutes or so could've fleshed everything out just a little more. In the end, this is the most fun I've had with a Marvel film in a while. Taiki Waititi's kinetic energy is on full display here, more than I've ever seen before What We Do in the Shadows included and Chris Hemsworth commands the screen with his portrayal of Thor, as always. The jokes fly a mile a minute, but I enjoyed that about this film, even though I was worried it would ruin my enjoyment. I do feel that it suffers a little from having multiple storylines and not quite enough time to explore them all, but I was ultimately satisfied with how everything played out. For being such a big story, I will also say that the scale of this one felt a little smaller than the rest of the Thor films. It almost felt episodic at times. Overall, Thor Love and Thunder is absolutely a must-see if you enjoyed the silliness of Thor Ragnarok, but some may be turned off. I personally give it a big recommendation because I had a lot of fun.
Afun film overall. Poorly characterized villains and bouts of hokey dialogue work to hinder the nobler efforts. Doesn't come close to achieving its true potential. There were too many
Veja hoje no Doabox a Ordem dos Filmes Thor. Então, para você que não quer ficar perdido na hora de maratonar os filmes desse herói da Marvel, basta acompanhar nosso guia com a ordem cronológica de todos os filmes. Ordem dos Filmes Thor – CronológicaThor 2011Os Vingadores 2012Thor O Mundo Sombrio 2013Vingadores Era de Ultron 2015Thor Ragnarok 2017Vingadores Guerra Infinita 2018Vingadores Ultimato 2019Thor Amor e Trovão 2022Ordem dos Filmes Thor Onde AsstirOrdem dos Filmes Thor – Conclusão Ordem dos Filmes Thor – Cronológica A primeira vez que o Deus do Trovão apareceu no Universo Cinematográfico da Marvel foi em 2011, com o lançamento de seu primeiro filme solo. Desde então, o filho de Odin já participou de diversas outras produções do estúdio, que influenciaram diretamente em sua história. Confira a seguir a ordem dos filmes Thor da forma correta juntamente com a sinopse. Assim, você vai ficar sabendo por onde começar ou até mesmo por qual filmes achar mais interessante e começar a assistir. Thor 2011 Nesse filme acompanhamos a história de Thor antes de herdar o trono de Asgard. Ainda irresponsável e reagindo com brutalidade, foi punido por seu pai Odin e enviado à Terra para aprender sua lição, enquanto seu irmão Loki decide assumir o poder de seu lar. Os Vingadores 2012 Thor O Mundo Sombrio 2013 Longe da Terra por dois anos, Thor segue na sua luta para manter a paz entre os Nove Reinos. Porém, uma nova ameaça surge quando o líder dos Elfos Negros decide trazer a escuridão de volta. Ao mesmo tempo, Jane Foster acaba sendo infestada por algo poderoso. Vingadores Era de Ultron 2015 De volta a Terra, Thor segue em missões com os Vingadores para derrubar a HYDRA. Mas Tony Stark constrói um sistema de inteligência artificial que acaba dando errado. Assim, nasce Ultron, uma ameaça ainda maior que exige o time de Vingadores se unir mais uma vez para salvar a humanidade de sua extinção. Thor Ragnarok 2017 Thor descobre sobre sua poderosa irmã mais velha, Hela, uma terrível ameaça ao seu mundo. Ao lado de Loki, eles precisam lutar contra a nova vilã para impedir a destruição chamada Ragnarok. Vingadores Guerra Infinita 2018 Thor acaba cruzando o caminho dos Guardiões da Galáxia e precisa da ajuda deles para criar uma arma capaz de derrotar o Titã Louco. Ao mesmo tempo, os outros Vingadores estão divididos em times para impedir que o vilão reúna todas as seis Joias do Infinito e conquiste um inestimável poder. Vingadores Ultimato 2019 Cinco anos se passaram e agora os Vingadores tentam encontrar uma forma de ajudar a humanidade como podem. Thor entra em estado de imensa culpa, isolando-se em Asgard. A esperança surge quando o Homem-Formiga reaparece, com um plano para salvar as pessoas. Thor Amor e Trovão 2022 Neste novo longa, veremos Thor tentando reencontrar sua paz interior após os eventos no filme anterior. Porém, ele é interrompido por um assassino galáctico conhecido como Gorr que procura a extinção dos deuses. Para combater a ameaça, Thor pede a ajuda da Rei Valquíria, de Korg e da ex-namorada Jane Foster, que empunha inexplicavelmente o seu martelo, Mjolnir, e se intitula a Poderosa Thor. Juntos, eles embarcam numa aventura cósmica para descobrir o mistério da vingança do Carniceiro dos Deuses e detê-lo. Ordem dos Filmes Thor Onde Asstir A Disney+ possui um extenso catálogo com filmes de super-heróis para assistir, todos parte do Universo Cinematográfico Marvel. Dessa forma, através desse serviço de streaming você pode assistir toda a Ordem dos Filmes Thor e dos Vingadores. Thor; Os Vingadores; Thor O Mundo Sombrio; Vingadores Era de Ultron; Thor Ragnarok; Vingadores Guerra Infinita; Vingadores Ultimato; Thor Amor e Trovão. Ordem dos Filmes Thor – Conclusão Esperamos que você agora saiba assistir essa saga de filmes na ordem correta, comente abaixo oque achou desses filmes. Avalie também o nosso post sobre a ordem dos filmes Thor e não deixe de conferir nosso site para mais curiosidades sobre filmes e séries, obrigado pela visita. Confira → Curiosidade Sobre Filmes e Séries.
MovieInfo. "Thor: Love and Thunder" finds Thor (Chris Hemsworth) on a journey unlike anything he's ever faced -- a quest for inner peace. But his retirement is interrupted by a galactic killer Welcome to the world of Asgard, where everyone's got 99 problems. Thor is busy drowning his post-breakup blues he left Natalie Portman behind on Earth by saving the people of the Nine Realms from evil pillaging, Loki is a prisoner but still sneering about something, and father/king Odin played by Anthony Hopkins is throwing royal hissy fits every twenty minutes. Something's gotta give, and it does - millennia after first threatening to do so. A still from Thor 2. Agencies In Thor 2 which is the eighth installation of the Marvel Cinematic Universe, the dark elves of Svartalfheim were the original evil beings who were vanquished by Thor's granddad. Related Articles They possessed the ultimate evil, the aether pronounced eether, a dark red cloud of smoke it doesn't look any more threatening than it sounds. Thor's granddad, in his infinite wisdom, doesn't even bother trying to destroy this ultimate evil smoke, and instead decides to bury it, because as we all know, when dark evil things are buried, no one ever finds them. Flash forward to present time enter Natalie Portman. Portman plays a skittish scientist who is on the verge of discovering the celestial event of 'The Convergence', when the Nine Realms all line up, and time, gravity and space and all that important stuff goes out of wack. Portman, accompanied by her intern Kat Dennings and her intern's intern enters an old house in London looking for proof of this phenomenon. But before she knows what's happening, Portman is sucked into a portal and her blood stream is infected with the aether. Guess 'burying stuff' isn't the security measure everyone seems to think it is. And now, Malekith, the leader of the dark elves of Svartalfheim, is awake after his prolonged hibernation and looking for his aether. Enter Thor to smash his hammer, save his woman and defeat the cloud of smoke. Played by Chris Hemsworth, Thor is a strapping young man with a gravelly voice, stringy blonde hair, blue eyes and angst. About fifteen minutes into the movie, Thor is shirtless as superheroes are wont to be from time to time and I fleetingly understood why a friend had told me that 'Thor 2 is the girl's superhero movie'. Hemsworth is a good looking guy, and though I find the term 'girl's superhero movie' slightly sexist, if there were to be a girl's superhero movie, a shirtless Hemsworth would be in it. But the most interesting character, of course, remains Loki, who really deserves his own movie. Played by Tom Hiddleston, Loki is a wiry bundle of evil and angst. With his slicked-back hair and zingers Loki has the only worthwhile one-liners in the movie, Loki is too much fun to keep locked away as a prisoner. Thor enlists him into helping defeat Malekith, and the brothers' trust issues are on full display for the rest of the movie. Thor isn't the best movie in the franchise, but it isn't the worst either. It lacks the light touch of the first Iron Man, but Hemsworth, as the forthright manly man, has a good screen presence even with his armour on and has a fantastic voice. But Hiddleston's Loki, all malevolence and sibling rivalry, is by far the brightest presence on the screen. The special effects in Thor 2 are like something The Hulk might dream up - smash, bang, crash, cars falling, hammers hammering - there is enough action to keep viewers' mouths slightly open for an hour and 52 minutes. I personally loved how Thor's hammer frantically finds its way back to him even if they're in different realities. Another good hammer point/fish-out-of-water joke Thor enters a London flat and seeing a coat rack, hangs his hammer on a peg. Audiences might find themselves drifting off into the aether as well at times during some of the battle scenes I spent ten minutes debating cheese versus regular popcorn during a key sequence, but it's an enjoyable watch all the same - just the sight of a 62-year-old Stellan SkarsgĂĄrd running naked around Stonehenge as a deranged scientist is worth the ticket price.
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Thor Love and Thunder's a scattershot fairy tale about being friends with your ex. By Charles Pulliam-Moore Jul 5, 2022.
Marvel Studios / The Walt Disney Company THOR Starring Chris Hemsworth Thor, Tom Hiddleston Loki, Anthony Hopkins Odin, Rene Russo Frigga, Idris Elba Heimdall, Natalie Portman Jane Foster, Stellan Skarsgard Erik Selvig, Kat Dennings Darcy Lewis, and Colm Feore Laufey with a special appearance by Stan Lee and a post-credits appearance by Samuel L. Jackson as Nick Fury Directed by Kenneth Branagh Produced by Kevin Feige Written by J. Michael Straczynski and Mark Protosevich Music By Patrick Doyle Distributed by Paramount Pictures Run Time 1 hour and 54 minutes World Premier April 17, 2011, in Sydney, Australia Opening Weekend Box Office $65 million North America Worldwide Box Office $449 million Rotten Tomatoes Score 77% Thor First Comic Book Appearance Journey into Mystery 83 August 1962 Thor created by Stan Lee, Larry Lieber, and Jack Kirby Marvel Studios / The Walt Disney Company Memorable Thor Quotes “This is as big, and as broad, as the Universe itself. But it comes down to fathers and sons.” – Kenneth Branagh describing his vision for Thor, a vision that quickly won Kevin Feige over and inspired Feige to hire Branagh to direct the fourth MCU film. “[Kenneth Branagh] brought the Shakespearean tone of the history and the comic books to life in a way that I don’t think anyone else could have.” – Chris Hemsworth praising Director Kenneth Branagh. “Chris Hemsworth is a magnificent Thor, and Tom Hiddleston is a superb Loki. They will live forever in Marvel and movie history as incredible characters. I feel very happy to have been part of making that happen.” – Director Kenneth Branagh “The script [for Thor] is really two things. It’s the origin story of Thor, but it’s also the origin story of Loki, his [adopted] brother – and as any comic reader knows, the villain of the piece. But he’s an interesting villain, he’s not the mustache-twirling I will destroy you’ villain.” – Kevin Feige discussing Loki’s important part in the story of Thor. Marvel Studios / The Walt Disney Company Fun Thor Facts Kenneth Branagh first met with Marvel Studios on August 29, 2008, meeting with Kevin Feige and Craig Kyle. Branagh was a lifelong Thor fan who’d received critical acclaim for his various motion picture adaptations based on the works of William Shakespeare which included Much Ado About Nothing, Hamlet, and Henry V. Following the success of Iron Man in the Summer of 2008, and with knowledge that Marvel Studios were actively developing a Thor film, Branagh wrote a 5-page script for a potential Thor film, which he presented to Feige and Kyle in Los Angeles, California. Feige was quickly won over by Branagh’s vision, and Branagh was officially hired to direct Thor soon after this meeting. With Iron Man having provided the foundation for the Marvel Cinematic Universe in a very grounded, real-world sort of way, deciding how to incorporate Thor into that same world was a tremendous challenge for the Marvel Studios team. Thor was a character with nearly 50-years of Marvel Comics history at the time and a character that was based on the actual Norse deity of the same name who is worshiped to this day as the God of Thunder. In fact, Thursday was named after Thor – Thor’s Day. So, with Thor came all of this elaborate mythology and a wide array of colorful characters that made up his supporting cast in both the comics and in Norse Mythology. There was the All-Father Odin; the King of the Aesir, the Goddess Frigga Odin’s wife in the comics, and of course Loki; the Norse Trickster god; the God of Mischief Thor’s adopted brother in the comics. There was also Asgard, the Bifrost and the Rainbow Bridge, the Lady Sif and The Warriors Three, the all-seeing Heimdall, the Nine Realms, and lots of magic and monsters. Indeed, Thor as a character and as a god was anything but grounded! An early decision was therefore made to explain the magical elements of Thor away as science that is simply not yet understood, while the gods and monsters themselves were not metaphysical beings at all, but rather real, living, breathing, physical beings, be they gods from Asgard, or Frost Giants from Jotunheim. They are born. They live. They die. Just like us. It was in this way that the otherworldly characters introduced in Thor would be grounded to not only inhabit the same world as Tony Stark, but to also be relatable for audiences. The initial release date for Thor as announced by Marvel Studios was July 16, 2010. This date was ultimately pushed back a year to June 17, 2011, before eventually landing on the May 6, 2011, date. In February of 2009, a casting call went out as Marvel Studios began searching for their Thor. 25-year-old Australian actor Chris Hemsworth sent in an audition tape, but Marvel Studios took a pass on Hemsworth. In the meantime, 28-year-old British actor Tom Hiddleston who’d worked previously with Kenneth Branagh auditioned for the role of Thor, but he too was passed over … for the role of Thor anyway. Upon meeting Hiddleston and witnessing his work, Marvel Studios felt he was just-right for another important part in their Thor film, and just like that, Marvel Studios had found their Loki! Three-months later, Marvel Studios gave Chris Hemsworth another shot at landing the role Chris’ brother Liam Hemsworth was being strongly considered for the part at the time. Chris blew the Marvel Studios team away with his performance this time around, and Marvel Studios suddenly had their Thor! It had been Chris Hemsworth all along! Over the course of the Summer of 2009, Marvel Studios continued to add to the cast of Thor. Natalie Portman joined the cast as Thor’s love interest Jane Foster in July, followed by Jamie Alexander as Sif and Colm Feore as King Laufey in September. As Summer turned to Fall, Anthony Hopkins was cast as Odin, followed by the castings of Stuart Townsend who would ultimately be replaced by Josh Dallas, Tadanobu Asano, and Ray Stevenson as The Warriors Three, followed by Idris Elba as Heimdall. At the close of 2009, Rene Russo was cast as Queen Frigga. One of the physical challenges the Marvel Studios team were faced with in bringing Thor to life involved the development of the God of Thunder’s traditional red cape. The filmmakers decided against a CGI cape in favor of a practical one, and eventually got it right, creating a cape that was comprised of English wool that was dyed and heat-pressed, then bonded with chiffon in certain sections, then fashioned on a frame, complete with strategically placed weights throughout. Another challenge was the design of Thor’s enchanted Hammer Mjolnir. Marvel Studios concept artists had created a reported 200 different looks at one point that had to be chosen from, but in the end, the decision was made to simply try and make Mjolnir look like it does in the Marvel Comics. Once again, they got it right! Though there were several Frost Giants added in post-production via CGI, the look of the primary Frost Giants in Thor was made practically via makeup and paints. Legacy Effects assisted in bringing the Frost Giants to life. Colm Feore, who portrays Loki’s biological father King Laufey in Thor, endured a makeup and costuming process that lasted 6-7 hours in order for his character to be brought to life. Careful attention was paid to the creation of Asgard in Thor. Asgard was the home world of Thor and the Asgardian people as well as the Capital of the Nine Realms, which are connected by Yggdrasil the World Tree. As a planetary body, Asgard was designed to sprawl outward from a central island on a double-sided plane. Asgard was furthermore designed to appear as a heavenly domain that was the envy of the Galaxy where the weather was always pleasant, with blossom and harvest coinciding, and with its beautiful waters cascading over an edge into Space. At the center of the Asgardian City was the Royal Palace of Valaskjalf from which Asgard’s King ruled. In addition to the Palace, the Royal Domain included the Royal Aviary and Armory, the Einherjar Barracks, the Asgardian Dungeons, and the Golden Observatory which stationed Heimdall and housed the Bifrost which allowed the Asgardians to travel throughout the Nine Realms in an instant. The Asgardian Throne was known as Hlidskjalf and the Asgardian King was armed with the mighty spear Gungnir; a symbol of Kingship and the tool with which the robotic Asgardian Destroyer could be controlled. Most of Asgard’s aesthetics were created via CGI in post-production. There were a reported 1,309 visual effects shots in Thor. Filming on Thor commenced on January 10, 2011, in Los Angeles, California. In March, production moved to Santa Fe, New Mexico, where the fictitious town of Puente Antiguo was constructed. The scene in Thor that sees Clark Gregg’s Agent Phil Coulson investigating the crater which houses the crashed Mjolnir, was used as the post-credits scene of Iron Man 2, more or less serving as Thor’s official introduction into the MCU. Filming on Thor lasted nearly four-months in total, with principal photography wrapping on May 6, 2010. The Avengers Director Joss Whedon assisted in the final product of Thor in an effort to further tie Kenneth Branagh’s film to Whedon’s upcoming film. This included adding Jeremy Renner’s Clint Barton / Hawkeye to the movie, which served as that character’s introduction, in addition to the post-credits scene which Whedon directed that featured Stellan Skarsgard’s Erik Selvig, Tom Hiddleston’s Loki, and Samuel L. Jackson’s Nick Fury, and that also officially introduced the glowing Cosmic Cube known as the Tesseract into the MCU. This scene revealed that Loki survived his fall from Asgard and was now influencing the mind of Selvig, who’d been recruited by Fury to study the Tesseract, joining Project On July 24, 2010, Marvel Studios returned to San Diego Comic Con for their fourth independent presentation. Marvel Studios presented a Thor panel in Hall H that included Kevin Feige, Kenneth Branagh, Clark Gregg, Chris Hemsworth, Tom Hiddleston, Natalie Portman, and Kat Dennings, during which footage from Thor was shown to the audience. From there, Marvel Studios also treated the SDCC fans in Hall H to the first-ever assembling of their Avengers as The Avengers Director Joss Whedon brought out Chris Hemsworth, Robert Downey Jr, Samuel L. Jackson, Scarlett Johansson, Chris Evans, Jeremy Renner, and newcomer Mark Ruffalo to stand together on stage in a preview of what fans had coming in just under two-years. Two renowned Thor comic book writers made cameo appearances in 2011’s Thor. Walter Simonson revolutionized the Thor character and enhanced the character’s mythology during his acclaimed run from 1983-1986, introducing readers to the popular Beta Ray Bill character and memorably transforming Thor into a frog. Simonson can be seen seated alongside Jaimie Alexander’s Lady Sif during the banquet scene near the end of the film. J Michael Straczynski returned Thor to the Marvel Universe following a three-year absence, writing Thor from 2007-2009, during which time he introduced readers to Lady Loki. Straczynski is the first individual we see trying to lift Mjolnir in the desert. Thor co-creator Stan Lee also has a cameo in Thor. Stan is the man who drives a pickup truck that has been chained to Mjolnir in an effort to budge the enchanted Hammer. This cameo marked Stan’s fourth cameo in the MCU following previous appearances in Iron Man, The Incredible Hulk, and Iron Man 2. In Thor, and within Odin’s weapon’s room / treasure vault, several objects can be seen that may be familiar to comic book readers. Among them are The Tablet of Life and Time, The Warlock’s Eye, The Eternal Flame, The Casket of Ancient Winters, and an Infinity Gauntlet. In 2017’s Thor Ragnarok, the Infinity Gauntlet seen in 2011’s Thor was labeled a fake by Odin’s firstborn child Hela. In Thor, after arrives upon the scene in Puente Antiguo, Stellan Skarsgard’s Erik Selvig audibly mentions a former colleague who was a “Pioneer in Gamma Radiation.” This is a reference to Doctor Bruce Banner, who was introduced in Marvel Studios’ The Incredible Hulk. In Thor, when The Destroyer invades Midgard Earth, surrounding Agents of speculate as to whether or not the robotic weapon of the gods could belong to “Stark.” This is of course a reference to the Tony Stark character that had appeared previously in the MCU films Iron Man, The Incredible Hulk, and Iron Man 2. Thor was the first MCU film to be released in 3-D. On March 25, 2012, at the Jameson Empire Awards in London, England, Tom Hiddleston won the Award for Best Male Newcomer for his performance as Loki in Thor, while Thor won the Award for Best Sci-Fi / Fantasy Film. On July 26, 2012, at the Saturn Awards in Burbank, California, Thors Alexandra Byrne won the Award for Best Costume Design for her work on Thor. Marvel Studios / The Walt Disney Company My Thor Review Thor was a majestic motion picture that combined Shakespearean themes with science-fiction to create one of the most unique superhero films ever made up to that point in time. It was also at the time the most aesthetically beautiful motion picture Marvel Studios had ever produced as well as the most emotionally complex. Thor was Marvel Studios’ first origin story since 2008’s Iron Man, and it was the film that first took the MCU beyond the stars, opening the door to the Cosmic side of the MCU, which would be greatly expanded upon in forthcoming years. In my opinion, Thor would have only worked with the right vision and the right cast, and Marvel Studios nailed it when it came to choosing who would direct this film, and who would portray these iconic characters who were not only Marvel comic book properties, but to some, actual deities. Just as Robert Downey Jr perfectly brought Tony Stark to life on film previously, Chris Hemsworth perfectly brought the God of Thunder to life, but doing this successfully went beyond just Hemsworth. Oftentimes in superhero films, the hero is defined by their villain, and that was certainly the case with this motion picture as Tom Hiddleston was incredible as Loki! This was not a mere case of two characters being at odds and fighting either; Thor and Loki had a relationship and a bond that was clearly illustrated during their scenes together. As a viewer, I believed that underneath their bravado, Thor loved Loki and that Loki loved Thor, and this gave the film a tremendous depth that made many scenes more meaningful beneath their surface. As Thor, Chris Hemsworth had confidence that bordered on arrogance, and a chiseled physique. He was big, and strong, and charismatic, but within his eyes was a passion and a sincerity that brought his entire character together. Tom Hiddleston meanwhile was cunning and calculating, and he had a sinister smile, but his character depth was also found within his eyes, which were hauntingly desperate and through which hints of a very damaged soul shined. Loki was as tragic as he was evil and whether they were standing side-by-side as brothers or fighting each other on the Rainbow Bridge, Hemsworth and Hiddleston had incredible chemistry. I thought Loki was written perfectly as a villainous character, obtaining an origin story that was grounded in lies and despair. Anyone that has ever felt overlooked, underappreciated, or lost in the shadow of a sibling can relate to Loki, as can anyone that has ever had to wrestle with the frustrations of not measuring up to a loved one’s expectations, particularly those of a parental figure. These are complex, life-changing, and soul-shattering trials that only the strongest emerge from without scars, and Loki as a Marvel character is sort of the patron saint of the damaged, the outcast, and the fallen; a character that detests the proverbial cards that he has been dealt and that will do whatever it takes to come out of the game ahead in the end. Loki is certainly not a character without its flaws, but it is those flaws that make him so endearing and to many so relatable, and to more still so beloved. Loki – my personal favorite character in all of comics – was easily my favorite part of Thor, and I don’t have enough compliments to bestow upon Tom Hiddleston to justifiably praise his work with this character. Next, I have to discuss Anthony Hopkins as King Odin, the All-Father. Again, what an amazing casting choice by Marvel Studios! Hopkins portrayed the character with passion, nobility, and aggression, and there was perhaps no scene more powerful in Thor than the one in which Odin casts Thor out of Asgard. The performances of Hemsworth, Hopkins, and Hiddleston during this scene specific were mesmerizing! Speaking of Asgard, just seeing the Realm Eternal brought to life was amazing! The architecture of the buildings and the beauty of the waters that surrounded the planetary body were really well done and I especially loved the sky, particularly at night. Asgard looked like a Heaven that I would want to go to! There were so many other things that Marvel Studios got right in Thor! I loved seeing Lady Sif and The Warriors Three, whose spirits were captured flawlessly, and I enjoyed seeing The Destroyer brought to life, and I thought the nature of Mjolnir was perfectly achieved with Thor throwing the Hammer and it returning back to him and whatnot. I also loved seeing the God of Thunder conjure lightning on Jotunheim and wielding it against the Frost Giants; just an incredible and visually stunning scene that did a great job of capturing Thor’s immense power in a matter of seconds! Back on Midgard, I enjoyed seeing Thor trying to fit-in on Earth after getting cast out of Asgard. The way the God of Thunder interacted with the humans that he encountered allowed room for some humor in what was otherwise a very heavy film, emotionally speaking. Thor going into a pet shop and asking for a horse was one of my favorite moments and I also loved the scene where everyone tries to lift Mjolnir in the desert to no avail, which came right out of the comics. Thor trying to break into the barricade was also a fantastic scene, and the Hawkeye cameo was an awesome bonus! I also have to mention the big showdown pitting Thor against Loki at the end of the film! This was an incredible fight scene that saw each actor stay precisely true to their characters throughout. It was so sad to see Loki sort of try and become all of the things he resented Thor for being in an effort to earn Odin’s approval and emerge as Thor’s equal in his father’s eyes. Loki’s entire plan was based on this logic, and he so desperately wanted it, he was willing to not only slay his biological father in the name of his adopted one, but to destroy the entire Frost Giant race in Odin’s name. Loki fought Thor with rage, anger, aggression, and yes, a hint of malevolence, but he also fought Thor with conviction and with literal tears in his eyes. This was an emotionally complex war between one brother that had risen above his pride and another who had been crushed by it. Make no mistake, Thor’s rise would have never occurred without Loki’s fall. This will probably sound blasphemous to most Marvel fans, but Thor was for me at the time, my favorite of the four Marvel Studios films that had been released up to that point. When you take into consideration the costumes and the set pieces and the music and the effects, and the stellar performances that bled through all of the mythology; it was a huge achievement in comic book moviemaking. I love this film! Marvel Studios / The Walt Disney Company Highlights of Thor Tom Hiddleston is Loki Chris Hemsworth is Thor Chemistry between Chris Hemsworth and Tom Hiddleston Thor vs Loki Loki Discovers that He is a Frost Giant King Loki Mjolnir Thor vs Frost Giants Asgard The Execution of the Bifrost / Rainbow Bridge Anthony Hopkins as Odin Majestic Costumes and Elaborate Set Pieces Hawkeye Cameo The Lady Sif and The Warriors Three Post-Credits scene featuring Samuel L. Jackson as Nick Fury Marvel Studios / The Walt Disney Company Notable MCU Concepts and Characters Introduced Thor. Loki. Odin. Frigga. Heimdall. The Lady Sif. The Warriors Three. Jane Foster. Erik Selvig. Darcy Lewis. Jasper Sitwell. Laufey. The Destroyer. Asgardians. Frost Giants. The Nine Realms Asgard, Midgard, Jotunheim, Svartalfheim, Vanaheim, Nidavellir, Niflheim, Muspelheim, and Alfheim. Yggdrasil the World Tree. The Bifrost / Rainbow Bridge. The Casket of Ancient Winters. The Eternal Flame. The faux Infinity Gauntlet. Clint Barton / Hawkeye. Post navigation Additionally the pacing was jarring, which made the movie feel both too long and too short at the same time. The only explanation was Marvel probably cut out so much stuff, so it could get it under 2 hours so it can maximize the screening times. This review of Thor: Love and Thunder (2022) was written by Dotasucks1993 on 10 July 2022. Thor TRAILER 216 Play all videos What to know A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment. Read critic reviews Sherlock Holmes A Game of Shadows Captain America The First Avenger Rent/buy Rent/buy Subscription Buy Thor videos Most Surprising Movie Cameos 2258 Thor Trailer 1 TRAILER 216 Thor Photos Movie Info As the son of Odin Anthony Hopkins, king of the Norse gods, Thor Chris Hemsworth will soon inherit the throne of Asgard from his aging father. However, on the day that he is to be crowned, Thor reacts with brutality when the gods' enemies, the Frost Giants, enter the palace in violation of their treaty. As punishment, Odin banishes Thor to Earth. While Loki Tom Hiddleston, Thor's brother, plots mischief in Asgard, Thor, now stripped of his powers, faces his greatest threat. Rating PG-13 Intense Sci-Fi Action/Violence Genre Action, Adventure, Fantasy Original Language English Director Kenneth Branagh Producer Kevin Feige Writer Ashley Miller, Zack Stentz, Don Payne Release Date Theaters May 6, 2011 wide Release Date Streaming Sep 13, 2011 Box Office Gross USA $ Runtime 1h 53m Distributor Paramount Pictures Production Co Marvel Studios Sound Mix Dolby Digital, Datasat, SDDS View the collection Marvel Cinematic Universe Cast & Crew News & Interviews for Thor Critic Reviews for Thor Audience Reviews for Thor Oct 02, 2016 ready the popcorn! fun! Super Reviewer Apr 27, 2016 Thor was a really solid film, I had a good time watching it and it was quite a bit of fun. But there are some shortcomings with it. Positives 1. Characters; Chris Hemsworth was awesome as Thor! He had this charisma about his character, appropriate timed humor and I honestly felt for his character during serious moments. Tom Hiddleston was great as Loki and so also Anthony Hopkins was fantastic as Odin! Natalie Portman was fine I wouldn't say she stole the show but for what she had to be for this film she worked. Everyone else was fine as well. The humor was very good especially the scene where Thor breaks the coffee mug. The dramatic scenes are very investing as well. 2. Visuals; this movie looks nice especially the scenes at Asgard which are stunning. The special effects are good and the make up surprisingly was awesome on the Ice Giants. 3. What I admired was how different this film felt compared to all the other MCU films we've gotten. This film felt a lot like Lord of the Rings and it just felt different and unique compared to all the other Marvel titles. Negatives 1. The tone inconsistencies; the film sometimes doesn't know what it wants to be, the humor and serious aspects sometimes don't blend in well and it does make the overall tone feel wonky. 2. Wasn't a fan of the dutch angles, I felt they didn't add anything to the film stylistically and they were just unnecessary. They got kind of annoying at times and distracting. Its not a major flaw but it kind of bugged me. Overall Thor is a very solid entry to the Marvel Cinematic Universe. It is not a perfect movie of course but it was quite a bit of fun, it had good action, some well timed humor and a interesting story. This film is technically a comic book film but honestly I think regular audiences will also enjoy this film as well as fans of epics. Super Reviewer Mar 29, 2016 This is a movie that stands very differently with a lot of people, but to me, it is a very entertaining and well-directed film about a God needs to learn what it means to be a man. Kenneth Branagh is a visionary and every single shot in this movie is beautifully made and you get the feeling that he really put his heart and soul into this. The performances of Chris Hemsworth and Anthony Hopkins are great, but it is Tom Hiddleston's Loki that totally steals the movie. Super Reviewer Mar 26, 2016 Thor is a film that takes risks - and they pay off wonderfully. The movie grounds itself in reality while keeping a mythological and fantasy-esqe tone, and it never loses sight of the humanity within the characters, with elevates this above standard superhero fare. Super Reviewer .
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  • review film thor 2